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3.0分正片主演：安德烈娅·德劳霍陶,Marianna,Albert,尚多尔·希门福尔维,Gyula,科尔内利娅·绍洛伊
8.0分正片主演：赵有亮,丁嘉丽,李丁,陈小艺,刘佩琦,唐纪琛,吕齐,李翔
10.0分正片主演：苏格拉瓦·卡那诺,三亚·库纳康,Atitaya,Tribudarak
2.0分正片主演：朱一龙,邱天,蒋奇明,朱珠,王一通,陈明昊,茂涛,李晓川,薛旭春,刘恩佳
5.0分正片主演：察合台·乌鲁索伊,埃布鲁·沙欣,塞纳伊·古勒,纳兹利·布卢姆,拉莱·巴萨尔,Haki,Biçici,Dilek,Tora,Didem,Sökmen
8.0分正片主演：劳拉·巴苏基,尤佳·普拉塔马,海达尔·萨利什,Reza,Rahadian,Baim,Wong,Kiki,Narendra,Athar,Barakbah,Niken,Anjani,Irgi,Fahrezi,Diandra,Valini,Edward,Kenzi,Bangun,Naomi,Christie,Abe,Rahman,Edo,Fakas,Yasmi,Panggilan,Sahrikan
7.0分第8集主演：皮纳尔·德尼兹,Sebnem,Hassanisoughi,Uraz,Kaygılaroğlu,塞尔哈特·穆斯塔法·柯力奇,Ahmet,Rifat,Sungar,Sinan,Sicimoglu,托尔加·特肯,Ipek,Çiçek
7.0分第08集主演：裘德·洛,基里亚娜·克拉特,拉维·卡伯特-科尼尔斯,凯瑞·康顿,滕德·艾德比佩,赖恩·基拉·阿姆斯特朗,罗伯特·蒂莫西·史密斯,Michael,C.,Bradford,戴尔·索尔斯,Mickey,Cassidy,Cass,Buggé,M.J.,Kang,布莱恩·欧尔利,Kevin,Mangold,Jim,Mitchell,Shane,Almagor
9.0分全8集主演：杰姆·耶尔马兹,爱兹各·莫拉,妮丽帕莱.莎音卡亚,Uraz·Kaygılaroğlu·Uraz·Kaygılaroğlu,Bülent·Sakrak·Bülent·Sakrak,Tarkan·Tarkan
9.0分正片主演：菲利斯·洛根,Giovanni,Mauriello,Denise,Coffey,Tom,Watson,Gianluca,Favilla,格莱格·费什尔,Paul,Young,Claudio,Rosini,Jennifer,Piercey,Yvonne,Gilan,Colin,Campbell
7.0分全8集主演：Ori,Shani,Bar,Gottfried,Lea,Tonic,Stav,Almagor
1.0分更新至07集主演：Ori,Shani,Bar,Gottfried,Lea,Tonic,Stav,Almagor
10.0分正片主演：吉拉·阿尔玛戈,Gila,Almagor,艾利·柯恩,Eli,Cohen
4.0分正片主演：瓦尔特·梅尔卡多,Willy,Acosta,林-曼努尔·米兰达,Raul,de,Molina,欧赫尼奥·德尔维斯,Betty,Benet,Mercado,Ivonne,Benet,Mercado,Nydia,Caro,帕洛玛·莫拉莱斯,Bill,Bakula,Lawrence,Edwin,Maria,Gladys,Garcia,Bobby,Gilardi,Elizabeth,Gomez,Evelio,Gomez,Inez,Gomez
7.0分正片主演：Tom,Baker,Julian,Beck,Jim,Anderson,朱迪丝·马利纳
1.0分正片主演：马丁·波特,海勒姆·凯勒,梅克斯·玻恩,萨尔沃·兰多纳,玛加莉·诺埃尔,卡普西尼,阿兰·居尼,Fanfulla,Danika,La,Loggia,露西娅·波塞,塔妮娅·洛佩尔,戈登·米切尔,乔治·伊斯特曼,伊莉莎·马邑纳德蒂,Donyale,Luna,凯荷·安德烈,恩尼奥·安东内利,吉吉·巴里斯塔,费代里科·博伊多,Marcello,Bonini,Olas,Aristide,Caporale,Pietro,Ceccarelli,Mario,Del,Vago,桑德罗·铎尼,杰西卡·杜布林,约翰·卡尔森,Fr
9.0分正片主演：迈克尔·凯恩,詹姆斯·科兹莫,克里斯托弗·普卢默,爱德华·福克斯,伊恩·麦柯肖恩,乔治·梅里特,尼克·泰特,John·Comer,苏珊娜·约克,大卫·麦凯尔,理查德·莫兰特,亚历山大·阿勒森,David·Griffin,哈里·弗雷德尔,伊斯拉·布莱尔,巴里·福斯特,大卫·奎尔特,保罗·安吉利斯,约翰·萨维登特,Gareth·Forwood,拉尔夫·理查德森,Nicholas·Pennell,帕特·海伍德,杰克·格威利姆,埃里克·多德森,哈里·安德鲁斯,特瑞沃·霍华德,劳伦斯·奥利弗,安东尼·尼科尔斯,Re
7.0分正片主演：三船敏郎,佐久间良子,中村锦之助,石原裕次郎,中村贺津雄,中村勘三郎,中村玩右卫门,田村正和,大空真弓,绪形拳,志村乔,南原宏治
5.0分正片主演：保罗·纽曼,罗伯特·雷德福,凯瑟琳·罗斯,斯特罗瑟·马丁
9.0分正片主演：桑德拉·莫扎罗夫斯基,Inma·de·Santis,Ramón·Corroto,María·Fernanda·D'Ocón
1.0分正片主演：多米妮克·桑达,Guy,Frangin,Jeanne,Lobre,Claude,Ollier,Jacques,Kébadian,Gilles,Sandier,多萝泰·布兰克
6.0分正片主演：M·埃梅特·沃尔什,Bill·Walters,鲍勃·巴拉班,达斯汀·霍夫曼,强·沃特,保罗·本杰明,Richard·Clarke,布伦达·瓦卡罗,菲利普·布伦斯,耶奥甘·约翰逊,泰勒·米德,桑迪·邓肯,巴纳德·休斯,盖瑞·欧文斯,西尔维娅·迈尔斯,安东尼·霍兰德,Randall·Carver,Pat·Ast,保罗·贾巴拉,詹妮弗·绍特,保罗·莫里西,瓦尔度·绍特,维娃,玛琳·克拉克,玛丽·博伊兰,Arthur·Anderson,约翰·麦盖沃,Renee·Semes,Ultra·Violet,Trent·G
6.0分正片主演：理查德·克里纳,乔治·盖恩斯,吉恩·哈克曼,John·Carter,玛丽特·哈莉,乔治·R·罗伯逊,李·格兰特,格利高里·派克,沃尔特·布鲁克,弗兰克·马斯,詹姆斯·弗朗西斯,斯科特·布兰迪,Bill·Couch,大卫·简森,Mary·Linda·Rapelye,南茜·科沃克,Craig·Huebing,肯纳G.肯普,Mauritz·Hugo,Duke·Hobbie
当前页面来自:芳心封鎖在线免费观看http://www.shangshandianqi.com/xcyydt/147285.html
《芳心封鎖》首次在以色列发行并上映，电影类型归属为剧情片，影片播放耗时为：3分钟，观众对于该片的喜爱热度为400 分，最近一次更新时间为：2024-09-05 15:36:26，片源的清晰度或最新集数为：(正片)，在1969年上映至今获得了业界影视爱好者的广泛好评，影片发音语种以希伯来语进行交流叙述并且配以中文双字幕，豆瓣观众评分：8.0分，由著名导演Gilberto,Tofano倾力打造该影片，Gila,Almagor等进行领衔主演的经典剧情片。 The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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